Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers
“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars out of this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime for the belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be considered as existential stories, absurdist parables, or premonitions about modern society’s hostility while the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction films. Described as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were seldom seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.
Among the biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of new restorations that are digital brought in movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War regarding the Worlds: Next Century, a reimagining associated with the H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of a nuclear apocalypse because they await a mythical Ark to save lots of them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is delivered for a objective up to a police state hell earth; and Szulkin’s final movie, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland within the aftermath regarding the Communism Szulkin criticized throughout their profession. Furthermore, the retrospective will emphasize Szulkin’s quick movie work, like the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute ny.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and tend to be $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center users. Save utilizing the purchase of three seats or higher.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 western Street that is 65th otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, hawaii, plus the notion of the nuclear family members.
Preceded by: brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin depicts six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world is now therefore wonderful that only prisoners can be used for the high-risk company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently doomed objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic world, where he could be welcomed by the population as a “hero,” an ignominious honor, he quickly learns, that accompany a many barbaric fate. Using the film’s title that is appropriately nonsensical the babble of their infant child, Szulkin provides a bleakly acerbic commentary from the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts try to produce an innovative new, flexible competition of people. an apparently ordinary item associated with work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, is called a precursor to Blade Runner , but its name additionally appears returning to an even more ancient misconception of creation and morality.
Preceded by: brand brand New restoration that is digital Gal plus the Fiend https://ukrainianbrides.us / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter using the devil, set into the Polish ballad of the same title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New electronic renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute his or her own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an musician whom devoted their profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What remains of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the final vestiges of civilization. They’ve been spurred on by their fervent belief in a fabled Ark which will deliver them from their residing hell—a myth propagated by the powers that be, and spread, to some extent, because of the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to push away total collapse. Employed in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays away such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New electronic restoration The War associated with Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles aimed at both H. G. Wells and Orson Welles, Szulkin’s followup to Golem begins utilizing the Christmastime takeover of Poland by way of a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) given that vocals of these 1984 propaganda machine that is-esque. But once Iron dares to stop message, he makes an enemy also more than the aliens: the continuing state it self. Released in the same way Poland was being plunged into martial legislation and straight away banned, The War associated with the Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm